What brings her out of hiding in 'Batman v Superman' is a monstrous creature that feeds off energy, which comic book fans will immediately recognize as Doomsday though it's never directly identified as such. Interestingly, Diana Prince (Gal Gadot in an outstanding breakthrough role) seems to also understand this when she states she stopped participating in human affairs long ago. It's a sentiment shared by Affleck's Batman, though he hides it in the deepest cave of his psyche and turns it into the rage necessary for fighting Gotham's criminals. He's a flawed and damaged hero capable of mistakes and having to live with them. Snyder's Superman is not the perfect boy scout and symbolic figure of national pride. Not only does he continue to fret over his existence and place in an imperfect, uncaring world, but he also anguishes over where he's accountable to the deaths caused around him. And our godlike hero who can't be hurt by any man-made weapons, not even an atomic bomb, is actually pained by the people's distrust of him. Being darker and bleaker, DC Comics wants their cinematic-universe franchise to be dramatically different from Marvel's by having their characters confront real-life issues and having them struggle internally.Д®specially after the disastrous events in Africa where he once-again saves Lois Lane (a pleasing Amy Adams), the Kryptonian is forced to face the consequences of his decisions while also feeling the wrath of a faultfinding society that reminds him of his foreignness. Unlike other superhero films, Snyder and company show there are ramifications to the heroic acts committed by beings with superhuman abilities. While it's true this a darkly brooding and overwhelmingly somber adaptation of the last son of Krypton, unlike anything moviegoers have seen before, I personally like the deliberately downbeat sentimental melodrama because it's a logical progression of the first movie. Goyer's script, reasonably complaining it adds a much too serious element to a film based on a comic book. Many fans have griped over this aspect of Chris Terrio (' Argo') and David S. The overzealous Junior Senator from Kentucky June Finch (an excellent Holly Hunter) keeps suggesting throughout that there should be some regulations put in place. government for his part in the destruction of Metropolis.

Meanwhile, Superman (Henry Cavill) is made to answer before the U.S.

His anger for Superman develops and ferments over the course of the film, and Affleck aptly provides poignancy and sympathy to the Bat's cause, a rage that's been brewing since his parents' death. Arguably the most surprising and impressive part of the production, Affleck does a superb job as the aged and embittered Dark Knight, walking around with a permanently etched furrow between his eyes.

With Wayne expertly weaving between giant pieces of concrete debris in the hopes of saving as many innocent lives as possible, we watch the mayhem from below and quickly understand Wayne's outrage, which slowly evolves into acerbic hatred. This affords audiences an interesting point of view and new perspective on the destruction that essentially killed thousands. Picking up just moments after the Man of Steel battles General Zod to save Earth from extinction, the Zack Snyder directed picture opens with a surly, gray-haired Bruce Wayne (Ben Affleck) running towards the chaos rather than away from it. Although Batman is given top-billing, 'Batman v Superman: Dawn of Justice' is really a sequel to 2013's Superman reboot, largely following the aftermath of the events seen in that blockbuster.

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